PATRICK CASSIDY Music CD Review
Celtic operas are not commonplace, and the closest one can come would be this off-beat foray into classical music. Patrick Cassidy tapped into one of Ireland's most unusual legends for this Irish-language oratorio. It is a story of love, jealousy, witchcraft, suffering and redemption through the grace of no less a figure than Saint Patrick himself. One would imagine there would be plenty of dramatic musical moments in such an offering.
But "The Children of Lir" is rather somnolent in its presentation and it rarely connects with its cultural roots. Cassidy seems to have distanced himself as much as possible from the Irish musical heritage here, as "The Children of Lir" sounds closer to Continental classical music than anything even vaguely Irish. If one came to the piece without knowing its origins or recognizing its language, it would be easy to confuse it with a minor work of German or Italian classical music rather than a modern Irish composition. The occasional wail of pipes in several of the arias gives a clue of the composition's ethnic origins, but they sound strangely out of place.
Less forgivable is the inability of "The Children of Lir"to come to life as a musical reflection of its amazing story. It's not every day that one encounters a tale of a widower king who marries his sister-in-law, only to see her turn his four children into swans and doom them to live 900 years on hostile waters. Yet Cassidy's composition is so leisurely and emotion-free that the non-Irish speaker will have no clue what is going on, and those who know the story will wonder why it feels so bland. There is no passion anywhere in the piece -- it often feels as if the oratorio is being sung phonetically.
"The Children of Lir" is a curio that never truly piques one's curiosity. Perhaps Cassidy or another composer can attempt to bring the Celtic experience into classical musical -- Lord knows Ireland is not lacking in stories worthy of grand opera!
Buy the Album: "The Children of Lir"
Celtic MP3s Music Magazine writer, Phil Hall is contributing editor for Film Threat, book editor for the New York Resident, author of "The Encyclopedia of Underground Movies" (MWP Books) and a proud child of Wales.
But "The Children of Lir" is rather somnolent in its presentation and it rarely connects with its cultural roots. Cassidy seems to have distanced himself as much as possible from the Irish musical heritage here, as "The Children of Lir" sounds closer to Continental classical music than anything even vaguely Irish. If one came to the piece without knowing its origins or recognizing its language, it would be easy to confuse it with a minor work of German or Italian classical music rather than a modern Irish composition. The occasional wail of pipes in several of the arias gives a clue of the composition's ethnic origins, but they sound strangely out of place.Less forgivable is the inability of "The Children of Lir"to come to life as a musical reflection of its amazing story. It's not every day that one encounters a tale of a widower king who marries his sister-in-law, only to see her turn his four children into swans and doom them to live 900 years on hostile waters. Yet Cassidy's composition is so leisurely and emotion-free that the non-Irish speaker will have no clue what is going on, and those who know the story will wonder why it feels so bland. There is no passion anywhere in the piece -- it often feels as if the oratorio is being sung phonetically.
"The Children of Lir" is a curio that never truly piques one's curiosity. Perhaps Cassidy or another composer can attempt to bring the Celtic experience into classical musical -- Lord knows Ireland is not lacking in stories worthy of grand opera!
Buy the Album: "The Children of Lir"
Celtic MP3s Music Magazine writer, Phil Hall is contributing editor for Film Threat, book editor for the New York Resident, author of "The Encyclopedia of Underground Movies" (MWP Books) and a proud child of Wales.
posted by Marc Gunn, Music Marketing & Music Promotion | 11:11 AM
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